flags,

ad-hoc or foreverish — of families, groups, causes, lores — fly over most dwellables on the planet, marking a places identity if nothing else (a mobile, pliable arf home may change unrecognizably in a decade). Flag mania was the first wave of “new symbolry”: communities, families, lone minds of the sparsened civilization cultivate their gardens of signs and emblems, grow them with the succession of lives and with travelers coming and going. The ancient art of flag was revitalized by feeleries and the evolving tools (movable type) condensing time into complexity; grounded in symbolic simplicity and identifiability but striving for lived sophistication, modern designs continuously micro-adjust for lighting, weather, season, the distance and angle of visibility.

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